Scott Hewitt PhD Submission

Score Appendix

Security and Stability in Network Connected Performances Environments

Scott Hewitt and Alex Harker

Published at the International Computer Music Conference, Ljubljana 2012

In this paper we highlight security issues generated by the use of network connectivity in performance. We argue that an awareness of these issues can lead to more secure and stable software, in both a technical and a musical sense. Potential exploits which might compromise performance integrity are illustrated along with suggestions for methods that alleviate such concerns.

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Notational Approaches for Laptop Ensembles

Scott Hewitt and Pierre Alexandre Tremblay

Published at the Symposium on Laptop Ensembles and Orchestras, Baton Rouge 2012

In this paper the authors will explore the notational approaches used while directing the Huddersfield Experimental Laptop Orchestra (HELO), HELOpg and other non meta-instrument based laptop ensembles. We will discuss the different notational methods used within my own compositional practice, suggest desirable notational features and suitability of such methods based on my own practice. In comparing western notation, graphic, graph, video, code and text scores we aim to identify a notational method suitable for the transfer of compositions between diverse ensembles.

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HELOpg, Lessons Learned (So Far)

Scott Hewitt, Samuel Freeman, Julian Brooks

Published at the Symposium on Laptop Ensembles and Orchestras, Baton Rouge 2012

A review of how the Huddersfield Experimental Laptop Orchestra Postgraduate Group (HELOpg) has developed its current methodology and practice through performance and collaboration since November 2009 through a consideration of the groups chosen approach to software, hardware and sound-reinforcement strategies as developed in and informed by;

Building on lessons learned (so far), HELOpg outline how their practice might inform the development of innovative models for improvisation which, whilst affording furtherplayer interaction, will not affect each individuals conceptual and sonic identity. HELOpg also introduce the SLIME System, a new methodology being developed by the group for use in networked performance.

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HELO: The Laptop Ensemble As An Incubator For Individual Laptop Performance Practices

Scott Hewitt, Pierre Alexandre Tremblay, Samuel Freeman and Graham Booth

Published at the International Computer Music Conference, New York 2010

In this paper we seek to outline the methodology and philosophy of the Huddersfield Experimental Laptop Orchestra (HELO). Placing the ensemble in context of similar work, we discuss the Do-It-Yourself (DIY) laptop instrument design paradigm, and the incubatory benefits that arise from participant-centered approach to ensemble rehearsal and performance.

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Sound Communication: A Standard Syntax For Inter-Application, Inter-Device And Inter- Player Communication Over OSC

Scott Hewitt and Pierre Alexandre Tremblay

Published at the International Computer Music Conference, Belfast 2008

This paper offers a standard message format for easy intercommunication over a network, between laptop performers within a drop-in improvisation session. It is based on OSC-like reserved namespaces, namely /test, /setup, /chat, /app, /user, /time, /documentation and /hardware. We detail the syntax of use and provide worked examples. The proposed standard offers interoperability, extensibility and flexibility across network applications.

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